Monica Samoylova

Sandiaga is a handwritten script font that is designed to suit the needs of consumers who focus on the custom style.

Sandiaga comes with OpenType features such stylistic alternates, stylistic sets & ligatures good for logotypes, posters, badges, book covers, t-shirt design, packaging and more.

Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate

There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.

Motherly Script is a lovely, modern calligraphic script. It features dynamic and pretty swashes and can be used for many purpose, such as titles, signatures, logos, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, and more.

Motherly Script features OpenType, including initial and terminal letters, ligatures and International support for most Western languages.

To activate OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later.

How to access all of the alternate characters, using the Windows Character Map to Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all of the alternate character using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn

How to use stylistic sets font in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs

Motherly Script is PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications.

Enjoy using Motherly Script.

People might consider me a fool - they might even consider me a fool on the beach...because I take a swim in the ocean, even in the wintertime!

Beach Fool is a simple but yet very strong headline font. It has its roots in both grafitti and comics, which makes it really powerful for graphical expressions that needs an extra punch!

Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long tradition in lettering, which even predates typography: similar wedge-shaped horizontal strokes were prominent features on Florentine inscriptional lettering during the Renaissance. Even though Begum Sans is a display face, its use isn’t limited to headlines. The typeface’s proportions offer possibilities for many kinds of shorter-length texts, i.e., call-outs, packaging design and the multi-line article introductions that are common in print and on screen. Pair Begum Sans with its matching display serif face Begum. Both Begum and Begum Sans were designed in India by Manushi Parikh.

Charmini is an exquisite font with a soft and at the same time confident serifs, modern and with a touch of retro. Font lines are strict with smooth, perfect transitions.

Charmini family includes 2 types of uppercase letters and has 9 font thickness options - from the lightest weights, suitable for large amounts of text to the heaviest weights, intended for headlines.

• For convenience, there are 2 additional packages of the Charmini font with a different type of uppercase letters of your choice.

Tufuli means "childish" in Arabic. In this font design I wanted to represent the characters as funny and flexible, just like childish characters can be. Tufuli has sloping terminal geometric shapes, giving it a playful feeling.

Please also check out Tufuli's sibling Tufuli Arabic for more international fun.

THE SPARK

Uniform started as a spark of inspiration one day while I was shopping at the store. I was looking at some typography on a can of dog food and the idea popped into my head, “What if there was a geometric typeface with a circular O that when condensed, the O became straight sided, instead of becoming an oval?”

I quickly sketched out the concept of Uniform and liked what I saw, the only problem was I was working full time as a graphic designer, and as a newly married husband, I didn’t have any time to make the extensive typeface.

LETDOWN

A year and a half later, shortly after the birth of my first child, my boss cut my hours in half. Although stressful, I saw this event as an opportunity to finally have time to complete the typeface I had in my head. I spent a couple months putting together a Kickstarter campaign, thinking it would be a smashing success, and I would be able to live off the donations long enough to complete the typeface. Wrong! The campaign was a flop and I was left discouraged and dejected, thinking that the great idea I had in my head would never become a reality...

PERSEVERANCE

At the end of the year, in December 2013, I decided to go for it and make this new type family no matter what it took. I began waking up a few hours before work each morning (getting only four hours of sleep each night) carefully crafting each individual glyph day by day. After nine months of hard work (and just about killing myself in the process!) in October 2014, I finally had a finished product ready to be released to the public!

THE PINNACLE

Fast forward a few years and now Uniform has reached it's pinnacle, Uniform Pro. Uniform Pro now offers extended language support including Cyrillic and Greek character sets, integrated italic styles, additional weights, and additional OpenType features.