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Road Crew is a handwritten, monoline font that includes two styles, regular and bold, with which you can combine and create unique designs in an instant. Also included in this font are alternatives and touches that you can use to make your design more diverse and attractive. You can also use them to create a logo or use them for small businesses, t-shirts, book covers, stationery, marketing, blogs, magazines, and more.
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Bosca this is an elegant serif font family which includes 4 weights. It is multi-purpose and can be used for a variety of tasks. It can look either conservative and restrained or modern and elegant thanks to ligatures and alternative substitutes, they will add variety to your project and make it more attractive and give many options for creating your design. Heavier weights are great for headlines, logos, and other important things. light will look elegant and more discharged. The regular weight is perfect for text tasks, it has a balanced dynamics and is easy to read. This font is easy to use has OpenType features, and all characters in this font have PUA encoding.
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Geometris Semi-Condensed was designed by Nikolay Savchuk. Geometris Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Semi-Condensed from the other fonts is an exceptionally distinctive design. Brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.
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This is our first experience of creating serif fonts. It resulted in a modern slab serif family designed with symmetrical bracketed serifs for uprights and cursive serifs for Italics. Crafted with low contrast strokes, it makes this font versatile and can be used for text and printing.
Counte contains many International diacritics and OpenType Features. It consists of 9 weight, going from Thin to Black with matching italics.
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Ascent Pro – a modern geometric sans serif with an engaging character. Inviting and versatile, with ton of stylistic alternates and ligatures to choose AscentPro works perfectly for logos, headlines, posters, packaging, business cards and many more! Thinner fonts look great in text copy. All in all 18 fonts including obliques provide you with a huge number of design options.
HOW TO ACCESS ALTERNATE CHARACTERS
Open glyphs panel:
In Adobe Photoshop go to Window - glyphs
In Adobe Illustrator go to Type – Glyphs / or Window – Type - OpenType
FEATURES:
18 weights and obliques
Stylistic Alternates & Contextual Alternates
Standard Ligatures & Discretionary Ligatures
Numerals & Punctuation
Fractions, Superscript & Subscript
Multiple Latin Languages Supported
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Blaine is a multi-purpose display serif font that will fit perfectly into any project. contrastive and elegant, it carries a classic and at the same time modern contrasting performance.
You can also use alternates and ligatures for variety and this will add more charm to your project and emphasize your personality. Use it to create logos, book and magazine covers, branding, posters, flyers, outdoor advertising, stationery, business cards, and much more.
This font is easy to use, has OpenType features.
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London Bridge is a Modern Sans Serif with a clean and geometric touch. It comes in 7 weights. Each weight includes extended language support, fractions, ordinal, superscript, and more than 30 ligatures. Designed with powerful OpenType features in mind it perfectly suited for graphic design and any display use.
London Bridge is a fine balance of functionality and contemporary characteristics.
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A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes
All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts.
Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts.
The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline…
The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles.
But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o.
As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants:
on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.
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Leronda is an awesome font that can look austere and classic or vintage and softer and more pliable thanks to alternatives. They will add charisma, diversity to your project and emphasize your brave decision.
Also lowercase ligatures are included in this font, use them and it will also show your personality. This font is quite heavy weight and is perfect for creating logos, headlines, advertising, branding, book covers and magazines, and much more. Use it in headings and text to highlight important information.
This font is easy to use and has OpenType features.
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Fallmora hand brush typeface is a script font that is carefully crafted. Made with a natural and organic flowing brush pen, which make the letters look cool and classy. Fallmora has a unique style and the charming characteristics from the brush texture.
Fallmora is a good choice for many different projects such as logos and branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, special events or anything.
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The Ghino family of "modern geometric sans" consists of 20 fonts.
All the family's fonts contain 370 glyphs and are equipped with many typographic features.
Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts.
Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.
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The Ghino family of "modern geometric sans" consists of 20 fonts.
All the family's fonts contain 370 glyphs and are equipped with many typographic features.
Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts.
Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.
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Semlor is a great display comic advertising big font, coming in regular and italic style.
This font has multi-lingual and Cyrillic support. We hope you enjoy using this font.
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Larky is a beautiful and unique modern calligraphy. This font has simple and interesting characters for various design needs. You can use it for embroidery, screen printing, business cards, cutting, branding, and more.
Larky has all uppercase and lowercase letters, also has alternatives, multi languages, ligatures, numbers, punctuation.
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Nebulosa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a futuristic, slightly extended sans serif typeface with semi rounded endings that provide a softened aesthetic without losing its solidity. Nebulosa has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.
Nebulosa consists of 10 styles, 8 of which containing small caps and glyph coverage for several language and 2 of which are free.
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Larky is a beautiful and unique modern calligraphy. This font has simple and interesting characters for various design needs. You can use it for embroidery, screen printing, business cards, cutting, branding, and more.
Larky has all uppercase and lowercase letters, also has alternatives, multi languages, ligatures, numbers, punctuation.
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Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Klik comes in three widths – each featuring eight weights and corresponding italics.
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I originally wanted to call this font Instant Pudding. When I was a kid, we sometimes had instant pudding (the ‘add cold milk and rest in the fridge’ kind) for dessert. My brother and I loved the stuff, especially when some of the pudding powder had not dissolved and had turned into brightly coloured speckles!
But this font, alas, did not ‘feel’ like instant pudding, so I hunted the internet for other, more obscure, puddings.
I found Spoonbread.
Apparently it is a pudding-like Southern American dish, made from cornmeal. I have never tasted it, nor do I particularly like corn (most of it is GMO anyway), but the font and the name became friends. And who am I to tear this beautiful relationship asunder?
Spoonbread - use it for your packaging, your books, your posters and your games. And when you make Spoonbread, use organic cornmeal!
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Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support.
Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.
(*) Take a look at the User Guide to see all the features available.
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Neutral and universal are two words that could describe a kind of perfection. The search for neutrality and universality is part of history in type design; it was specially important in the so-called Swiss Style. Samplex is a typeface that joins this particular search. The design gets rid of unnecessary elements and stays away from style conflicts.
The large and slightly condensed body of lowercase letters makes Samplex a good choice for long paragraphs, and especially appropriate for screen devices. Letters with a blocky appearance give shape to a text in perfect order, ideal for grid lovers and layouts with a strict structure. The design of Samplex is clean and efficient. The diagonal cuts are reserved to the italic letterforms, setting some distance between the solid upright characters and the dynamic oblique forms.