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Bordershine Script is a beautiful and elegant modern calligraphy font. It's perfect for branding, wedding invitations, photography, bloggers, logos, content, greeting cards and more. Bordershine script calligraphy has beautiful uppercase and lowercase letters, numbers, and ligatures.
If you have any questions, before or after purchase, please feel free to get in touch.
Thank You.
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Sulaiman is a handwritten script font that is designed to suit the needs of potential buyers who focus on the custom style.
Sulaiman comes with OpenType features such stylistic alternates, stylistic sets & ligatures, and it's perfect for logotypes, posters, badges, book covers, t-shirt design, packaging and more.
Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternates
There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.
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Matteona is a textured brush font, a contemporary approach to design, naturally handmade and with underscores. It also has alternatives and ligatures that make your design more attractive.
Suitable for use in title design such as clothing, invitations, tittle books, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.
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This vintage font set named Anise Seeds includes two versions — textured rough and smooth clean. This capital decorative typeface is perfect for label design and lettering compositions. West European languages support is available.
Thank you and have fun!
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Moga Rezeki, inspired by Calligraphy and using a crayola brush pen, contains many alternatives for the lowercase section. Moga Rezeki is perfect for posters, fashion, branding and more.
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One of the famous Hebrew typeface ever, revived with new weight, allows lots of combinations.
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Kaytek™ Slab is a fresh take on the correspondence typefaces of the 90s - which were originally designed for the demands of office environments. Just like its predecessors, this text typeface is robust and hard-working - meaning it works well in challenging design or printing environments - but it’s not without personality. Look closer at the lowercase g and a, especially in the italic, and you can see some unexpected elements of subversiveness within the design.
This blend of sturdiness and quirkiness means it’s just as relevant for information-heavy projects, such as annual reports, as it is in more expressive environments. Although first and foremost designed for text, Kaytek Slab’s details shine through in its heavier weights and larger sizes, meaning it also has display potential.
Every style of the typeface takes up exactly the same amount of space, thanks to the way Radek Łukasiewicz created the design. He based the entire typeface on a single, master set of proportions. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style.
As well as its roots in the office, Kaytek Slab draws on a little bit more 90s nostalgia. It’s named for the first and only Polish walkman, and embodies the same solid, no-nonsense shapes that made the analogue technology of the era so charming. Kaytek Slab is robust and solid.
Kaytek Slab comes in 12 weights, from Thin to Black Italic, and offers multi-language support. Kaytek Sans is also available.